Welcome Letter

Adirondack Dance Weekend – September 21-23, 2018

FLYER

Director: Joe DePaolo

Registration forms/rates after January 1, 2018

Enjoy private bath or shared bath rooms in the Main Inn. Questions: email: ncreek9@gmail.com or call 518-813-0530

Silent Auction items (new or used) are needed and appreciated to support the weekend costs.

Contras, English, Waltzing, Jamming, Kayaking, Hiking

Vegetarian, Vegan and Gluten-free buffet options

Looking for more friendly, fun dancers. Registrations accepted until the weekend. Please print the flyer from the website and share at your local dances.

Performers

    Contra Lineup:

  • Callers: Steve Zakon-Anderson, Frannie Marr from CA
  • Bands:

  • Party of Three: Neil Pearlman on piano, Lilly Pearlman on fiddle, Joe De Paolo on percussion
  • Eloise & Co: Becky Tracy on fiddle & a octave fiddle, Rachel Bell on accordion, Bethany Waickman on guitar
  • English Lineup:

  • Callers: Gene Murrow, Tom Amesse
  • Band:

  • Bare Necessities: playing in various musician configurations Jacqueline Schwab on piano, Kate Barnes on flute, piano and other assorted instruments, Mary Lea on violin and viola, Earl Gaddis, violin and viola, Karen Axelrod, piano and accordion

Silver Bay,Lake George, a gorgeous Adirondack setting for a fun-filled dance weekend!
Contact: ncreek9@gmail.com Contact L. Perrault, 5 Werner Road, Halfmoon, NY 12065

Adirondack Dance Weekend – 2016 – Sept 30 to Oct 2

THE PROGRAM - SAMPLE PROGRAM

Dances Called in 2017

2017 Dance Schedule

begins with dinner on Friday evening at Silver Bay. Your registration covers six meals, two nights' lodging, snacks, and the entire dance program. The dance program consists mainly of contra and english country dances along with swing, hambo and jamming sessions. The program ends Sunday afternoon at 3 p.m. with the last waltz of the final dance party. There will be several activities available concurrently, throughout most of the weekend. The two dance halls have wood floors well-suited for dancing. Licensed massage therapists will be available for hire.

TWO DANCE AREAS (with wood floors) will usually be operating simultaneously: one will be used primarily for contras; the second primarily for english country dance. Both areas will feature Dance Parties on Friday night, Saturday night and Sunday afternoon. Otherwise, these areas will be used for workshops with swing and hambo or special themed dances.

OTHER AREAS will be available for participatory singing, informal jam sessions, and other activities. Or you can stroll the grounds, kayak, canoe, shoot archery, get a massage, relax, and hang out in this beautiful setting!

  

THE SITE - Silver Bay YMCA Conference Center

LOCATION: Silver Bay is about 90 minutes from Albany, NY or Burlington, VT, on the north-western shore of Lake George, with easy access via the Adirondack Northway (I-87). Amtrak trains stop 15 miles from Silver Bay and buses stop 28 miles away. Airline service is available to both Albany and Burlington airports. DIRECTIONS

SILVER BAY is situated along 6,000 feet of shoreline on the undeveloped side of shimmering Lake George and is surrounded by the magnificent Adirondack Mountains. The entire campus is a registered National Historic Site. Its 600 acres (with access to 1,000 more) are dotted with 65 buildings, from rustic cottages and lodges to the gracious 1902 Inn. Their stone facades, warm fireplaces, tolling bells, and rocker-filled porches reveal Silver Bay's charm and history. Throughout the grounds, both indoors and outdoors, there are numerous spaces for jamming, singing, or just hanging out. Not to mention DANCING! Visit the Silver Bay website at www.silverbay.org

LODGING will be primarily in the Main Inn. Both private bath*and shared bath accommodations are available. Also, a number of cabins for four (indicate lake front or dance hall side) are available at the shared bath rate.Somewhat longer walk to/from the dance or dining hall. Indicate roommate where applicable. *Private bath - limited space - first come-first served- CHECK WEBSITE FOR AVAILABILITY

RATES (rates shown are per adult, double occupancy)

  • Private bath: $381 ($371 DFO member) Single: $512 (DFO $502) Triple: $307*
  • Shared bath: $326 ($316 DFO member) Single: $412 (DFO $402) Triple: $282*
  • Cabin w/ shared bath: $326 ($316 DFO member)

Directions

REGISTRATIONS are accepted on a first-come, first-served basis, and space is limited. Please register early to avoid disappointment, as we expect this event to fill up. Full-time participants only. Registration deadline is Sept 10 , but register early to ensure your space.

To register for the weekend, print out the registration form and mail it to us, along with your check.

PAYMENT: We prefer payment in full for your first choice of housing. However, a deposit of $150 will hold your space. Any remaining balance is due before Sept. 10th.

REFUNDS/CANCELLATION POLICY: No Refunds after Sept, 10, 2017.

WORK SCHOLARSHIPS: A very limited number of partial work scholarships are available on a first-come, first-served basis. To receive information about work options and scholarship amounts, please indicate your interest on the registration form or call 518-813-0530.

Performers

  • Party of Three
  • Eloise & Company (Bethany Waickman on guitar)
  • Callers:Frannie Marr, Steve Zakon-Anderson

Party of Three

Party of Three brings together three musicians from diverse musical backgrounds who share a depth of experience playing for dancing. Combining high energy Scottish and Cape Breton fiddle music with Latin and Funk influenced piano and drum grooves, Party of Three has been enthusiastically received by dancers across the mid-atlantic and northeast. Members include Lilly Pearlman on fiddle, Neil Pearlman on piano and Joe De Paolo on drums, doumbek and bodhran. Website

Personal Bios:

Pianist Neil Pearlman is rapidly distinguishing himself as a uniquely innovative artist in the contemporary traditional music scene. Called “a tremendous pianist” on BBC Radio Scotland and “a force to be reckoned with” by WGBH’s Brian O’Donovan, Neil is recognized in many Celtic music circles for his unique approach to the piano. Rooted in traditional Cape Breton piano styles, Neil brings in ideas from many other genres and the result is an exciting new sound that remains true to its traditional roots.

Fiddler Lilly Pearlman has grown up immersed in the musical traditions of Scotland and Cape Breton, performing with family band Highland Soles since the age of nine. Through her experiences living and studying in New York City and Salvador da Bahia,Brazil, she has continued to explore and incorporate influences from various other musical genres--from bluegrass to samba to funk-- into her unique Celtic-based fiddle sound. Lilly has played across the nation with the bands Party of Three and Alba's Edge since 2011. She has also been on staff for Scottish Fiddle and Cello Camp at Ashokan for many years. Lilly graduated from Barnard College in 2014 with a degree in Dance.

Joe De Paolo has been drumming for over 30 years. His early studies were with Master Drum Teachers Sam Ulano and Joe Cusatis. He has also studied at both Drummers Collective and Irish Art Center in New York City. Throughout his career Joe has played in jazz/rock fusion, funk, Zydeco, Cajun and contra dance bands. He also plays and teaches bodhran and doumbek and has taught both hand drums at NEFFA. Joe also calls for contra dances and at times combines calling with drumming. His eclectic past has influenced his current style of playing and can be heard on the three CDs that he is featured on. He has recorded with Eclectic Dance Orchestra, Coracree and Party of Three.

Eloise & Company

Eloise & Co. features the combined creative forces of two of the country’s most sought-after dance musicians, Becky Tracy and Rachel Bell. These two, joined by powerhouse guitarist Bethany Waickman, crank out dance music with unbridled energy and soaring beauty. Their depth and versatility is evident not only in their dynamic playing but also in their rich and unique repertoire, ranging from exciting original compositions to rock-solid traditional tunes. Eloise & Co. was born out of Becky and Rachel’s transcendent melodic connection, their shared love for powerful rhythmic momentum, and their affinity for spending hours and hours crafting compelling arrangements. Expect a sublime and memorable dance experience propelled by gritty French groove tunes, intense reels, soaring waltzes, lively Quebecois tunes, and exhilarating originals written by Becky Tracy, Keith Murphy, and Rachel Bell.

Bethany Waickman

Bethany grew up in a musical family in the Adirondack Mountains of northern New York state. She started piano at an early age and played traditional and classical music along with her fiddle- and cello-playing brothers. She discovered DADGAD guitar tuning while attending Meadowlark, a folk music camp in Maine. There she studied with Keith Murphy, a well-known composer, musician, and influential practitioner of DADGAD. The modified tuning offers unique harmonies and rich drones well suited to supporting traditional music and to the driving, rhythmic playing for which Bethany is known. Inspired by the vibrant community of musicians that gathered every summer at Meadowlark, Bethany decided to delve deeper into the music of New England, and made guitar her primary focus.

While attending UMass Amherst, Bethany joined the contra dance band The Hip Bones, and on her summer breaks she worked on the crew at Pinewoods, a dance and music camp in Plymouth, MA. It was there that she started making music with like-minded fiddler Amelia Mason and accordionist Emily Troll. After a few summers of exploring and building repertoire together, they formed the contra dance trio Anadama in 2007. Known for their tight arrangements and propulsive energy, Anadama has been charming dancers across North America ever since.

After college, Bethany spent some time traveling in Ireland, moved to Boston, and signed on as Lissa Schneckenburger’s guitarist. Lissa is a lyrical fiddler known for the lift and drive she incorporates into the traditional dance tunes she grew up playing. Also a skillful singer, she brings new life to old ballads, and takes a special interest in exploring the singing traditions of the Maine lumber camps. Her album Dance features Bethany’s guitar playing and draws from the rich repertoire of New England contra dance tunes. Bethany and Lissa have toured extensively throughout the US, Canada, Sweden, Denmark, and Belgium. They are often joined by Jeremiah McLane (accordion), Corey DiMario (double bass), and Stefan Amidon (percussion) for larger festivals.

Bethany moved to Maine in 2013, and shortly thereafter co-founded the trio Fódhla with Nicole Rabata on Irish flute and Ellery Klein on fiddle. The trio brings traditional Irish music to festivals, sessions, and concert series around New England. They will be releasing a 6-track EP in late 2015.

Bethany has also worked with many other artists, including Ari and Mia Friedman, Mark Roberts and Laurel Martin, Ryan McKasson, Jeremiah McLane, Rose Clancy, Ed Pearlman, Katie McNally, Eric McDonald, Tashina Clarridge, Simon Chrisman, Nic Gareiss, Rodney Miller, Dave Langford, Julie Metcalf, Glen Loper, Alden Robinson, and others. In 2014 she toured Germany as a member of The Southgate Band.

Bethany is a mainstay on the New England contra dance circuit, playing in countless combinations of the scene’s myriad musicians.

Frannie Marr

In 1998, Frannie Marr started dancing and quickly fell in love with contra dancing. She began teaching contra dances to her elementary school students as a vehicle to expose them to new and fun dances. After calling exclusively to children for 10 years, Frannie debuted to rave reviews at a regularly scheduled Los Angeles contra dance and was strongly encouraged to keep on calling. Since 2008, Frannie has been calling regularly, traveling from coast to coast, and has appeared in over a dozen states at some of the biggest name venues with some of the hottest and most popular contra dance musicians.

Steve Zakon-Anderson

On a fateful night in 1980 Steve walked into his first contra dance, in Francestown, NH, which thoroughly changed his life. He started calling a few years later and has now danced, called, organized, and taught contra dances for over 35 years. Steve delights in the role of facilitator between the dancers on the floor and the band onstage, and over the years has honed his calling presentation to an art. A mixture of humor, musicality and skilled programming make Steve a favorite of dancers of all levels, and he is also appreciated by musicians across the country for his considerate weaving of his calling with their music. A number of Steve's many dance compositions have successfully 'left town' and can be found at the top of many callers’ favorites list.